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Abstract Vampire movies appeared in the form of short films shortly after the film was born. Vampire movies originated from the exploration and influence of European culture and European movies. European movies are one of the birthplaces of world movies. Movies like vampires have become popular and favorite themes in terms of themes, content, forms of expression, and expression media since their creation. The Chinese Dictionary says: "Popular, simple and easy to understand. It’s also suitable for ordinary people’s needs." Vampire movies are a kind of popular culture, which exists in folklore, historical records and artistic expressions. The "Oxford English-Chinese Dictionary" defines vampires as a supernatural creature with evil in nature, and is considered to be through the blood of living people. To obtain nutrition and harm humans; males or females born with similar habits other than humans. And where does the audience charm of vampire movies come from? In the original images of the vampire movie, the vampire is an ugly, cruel, terrifying, and evil image. This image is full of greed, sexual desire, blood and debauchery. Not to mention whether the existence of a vampire is real, but the image of these abstract human characteristics combined is completely the image of a vampire. The development of human beings is seen as a process of getting rid of animality towards rationality, and a process of getting rid of naturalness towards sociality. A vampire is a person in the middle, a person who is both alive and dead. He was neither completely dead nor completely alive. When the audience sees this body expression, they will find that they have to face the eternal dilemma of being a human being. He/she, they/they will grow old and die. Such a fear erodes the human heart day and night. The more you fear, the more you plan your body, and the more you plan, the more you find the sadness of this behavior. The body broke away from the curse of modernity, but fell into the trap of consumption. Although the body of a vampire is ugly, it is immortal. Although human beings are "beautiful", they are facing death and aging day by day. It seems that vampires are the opposite of human beings, a phantom created by humans to compensate for their own physical defects. Since the 21st century, the body in vampire movies has tended to beautify. In addition to youth, speed, power, and delicate facial features, human self-imagination of the body has finally reached its peak. In this sense, the concept of body in the state of consumer society is an extension of the concept of body in the state of modernity. Modern society and post-modern society have reached a reconciliation here, and their common enemy is the body, to be precise, the death of the body. v People's fear and fascination with vampire culture and its image have become their own inner and spiritual narrative methods. This ambivalence is that it is not only a taboo, but also a complex that concerns the entire human race. Vampires no longer intuitively explain the objective meaning of ugliness or evil, but present a kind of self-consciousness, fear and desire of people who have gotten rid of religious theological explanations. At the psychological level, the audience's acceptance of vampire films and the popularity of such films means that we are self-gazing in a phenomenon of "aesthetic abnormality". In vampire movies, fear comes from the loss of something, which is embodied in the physical death that accompanies the loss of blood. However, vampires are immortal, which makes the audience attached to the fantasy of the end when watching the movie. Above the image, that is, longing for the immortality of the body. On the one hand, the source of this desire is presented through images, and on the other hand, it is made up for by the objective fact that the body is easy to die. Therefore, the happy choice of the subject's self does not simply exist, but is always accompanied by painful rejection. In other words, pleasure is always accompanied by pain, beauty is always accompanied by ugliness, and infatuation is always accompanied by fear. The watching of vampire movies creates a kind of ambivalence, and with this kind of psychology is the characteristic of the movie as a "daydream", that is, when the audience is watching the movie, they arouse the psychology of the past, present and future, and the audience sits in front of the screen. It seems to have returned to the period when the baby was sitting in front of the mirror.
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