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The core of the photography work is to understand what self ideology represents and how we express reflexive reading in another way. Its substantial narrative scenes lay down on my own marital experience in order to review the true meanings of roles of self gender.This photography production not merely presents its visual contents but conveys a concept of the ways that photography pieces technically describe circumstances of an act or an event. The photography work, finished by means of Fabricated Photography, Images Juxtaposition, and Virtual Scene Synthetic System, films out males' subjective viewpoints on female body, as the discussed subject of this photography work. Under the reference to Yve Lomax's juxtaposition works, diverse pictures are arranged in juxtaposition in a virtual exhibition gallery with the help of image synthesis. For one thing, different collocated image pieces can be harmoniously allocated in their respective places; for another, the exhibition space can be a mechanism of photographic reflexive reading. By reflecting on differences and distinctiveness of opposite genders during the shooting process, the creator perceives the conveyances of female dynamic role contrary to the statements of traditional women being examined. The female subject presents a strong feeling of demonstrative subjectiveness, not just an object being shot. In addition, image juxtaposition eliminates subjective image significance, forming another new meaning of in-between images. The virtual exhibition area displaying a context of being read creates another photographic context of reality and simulation: self being confronted with two-way interfaces, which means how self reviews the inward in the opposite way and develops a self as a way of reflexive reading.The result of this photography demonstration comes out: it is not easy to separate a reader's virtual reading from self image, and the contextual provocativeness needs to contain a larger issue symbol if photographic reading works as an act of reflexive examination, with the photography framework made up of visual creation and readers' experiences. The extensive deliberation of this displaying creative production falls on the connection of virtuality and photography.
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