|
This is a thesis that derive from the documentary ”Dialogue”, the film documented a lot of different people and how they communicated with their own God.
There are religions, ethnic groups, art, there are individual and group in the film. this is no a film about religious group or religious dogma, but "religiosity", it existed in the love of a mother, in the tradition of ethnic groups , and some time even in religious. The force exists in the universe, different people used different form and method to communicated with the force, and I try to documented the dialogue between the force and them.
the film is presented in form of image, sound and idea, three-quarters of the film presented the dialogue by sound and image, when the sight and sound of Tibetan Buddhism conveyed harmonious moment, a circular saw severed the wood, turning into a process of art creation.As if a blow from Zen, awaken the people to the realization of destined calamity, alive but no down-to-earth, surpassing the transmigration.
The film is constructed with images, without any caption or aside, hoping the film maker would have her own viewpoint, but the viewers could "communicated" with the images directly based on their life experiences.The film will have its own life When it disengaged from its creator .
Curiostiy and pursuance of "life" were the upmost reason of "Dialogue"
|