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This thesis discusses the choosing of human as the subject for the creative work .『Mind Scape』.The articles intends to recount the birth and development of the work. Through appreciating creative works from those who are influential to her ,the author also discusses the aesthetics of applying paint on glass in animation. In addition, the article records the procedure and techniques used in the author’s paint on glass animation work.This thesis was mentioned about what I viewed and what I felt for the subject .creation motivation, formal aestheticsanalyze for painting.performance of art aesthetics ,discussion about the workers of experimental animation presented by Norman‧ Mclaren and Caroline‧Leaf and the formal aesthetics of how sound to make image stronger.
In my subject “Mind Scape”.I will describe the basic support of image and the potential meaning of the subject. The direct animation was presented by procedure and techniques. I was gained the inspiration and feeling by the digital techniques.
The result of my research was showing briefly the disadvantage
and advantage of the combination within the painting and digital techniques.
In the conclusion, I will point out my view for the future direction of direct animation and talk about my personal analyze for the main topic of animation.
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