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This film has six sections: Document (Using the widely-used word "represent" here only increases the constant confusion about the definition of "documentary" (紀錄片).), Face to Face, Perform, Dialogue, Documented performance/Performing document, and Home. There are three parts of contents: documenting foreign labors, documenting the filmmaker (documentarian?), and filming the performance. The original motives of this film are: alleviating filmmaker's moral anxiety while and after documenting, presenting filmmaker's (social-economic) class (and identity), and including "performing" in documentary in order to make reality presented in the film more persuasive.
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